the new dance-drama, "cargo", by jazzart and magnet theatre opens at the
spier amphitheatre in stellenbosch on february 24 and ends on
2007. (please note that this piece will be touring at various times
nationally throughout 2007)
i have created an intensely moody soundtrack for this collaboration - this being my latest cd titled, FIRE FAMINE PLAGUE & EARTHQUAKE - what some are already beginning to
call quite a difficult work about our contemporary responses to the
traditions of slavery and the miscellany which moulded and birthed our
mother city, Cape Town.
because this is such an emotive and often explosive
theme, i have included many of my own notes in the cd booklet - scribbles, drawings, song charts and thoughts i collected during the months spent
researching the nature and expression of the slave trade in this part of
i hope this serves to give context to the music, and allow the listener to
engage more deeply with the material.
FIRE FAMINE PLAGUE & EARTHQUAKE will be available by order from this website, starting 24th february. the album is also available at all agreeable outlets, AND soon will be available for download via www.neosong.net
we will also open this production at the grahamstown festival on july 6th,
2007. soundtrack is also available at all performances of "cargo".
slavery, defined as the legal ownership of one person by another,
is technically no longer a reality in our world. 1807 was the year
britain abolished the slave trade in all her territories.
so 2007 marks the bi-centennial commemoration of this declaration.
4 months of researching the history of slavery in the Western Cape, i
have finally created a music score to accompany a new dramatic dance
piece by Jazzart Dance theatre and Magnet theatre called "Cargo".
crafting these songs, i have referred quite a lot to the islamic
Qasidah, the european Quadrille, the Marabenta of Mozambique and
Angola, and Afrikaans folk songs and minstrel tunes.
The cultures and traditions of these mysterious places sculpted what was to become the religious nature of the Cape.
The slave population invented the language of Afrikaans, which was later be known as the tongue of the free burgers.
have read books about the making of Cape Town, and through this process
i am discovering weird little details about this place i have chosen to
make home .. for instance, the reason why Long street (if you've been
to the city centre, you'll know this street is not long, actually) is
so named because that was how it appeared to the washer women (they
were slaves) who would walk it, carrying the dirty laundry of their
masters and mistresses.
the women would walk, say, from the
homes at the foot of table mountain all the way to the sea shore, where
they would wash the linen and clothes, then carry the load back up the
they would perform this routine probably several times in a single day .. now i see how Long it is!
roofs of many of the old buildings in the city are flat and made of
corrugated iron. this apparently was because the architects who
designed the city feared the slaves would revolt and burn the houses
down. this is how the style we now know as `cape-dutch' architecutre
yes, slavery is legally a thing of the past. but its legacy is present
still. in fact, one could argue that it has merely taken a different
shape, a different colour: take the trafficking in women and children
to be kept as sex-slaves; consider the largesse of some multi-nationals
or even nation states, whose wealth roots back to the backs of workers
in the sweat shops or the cotton farms of old. the past is the present,
how far are we from our collective past? is it possible to interact with history today? can its stories change our lives now?
some bushman clans used to say time does not flow like a river, that it is not a linear sequence of past present and future.
some bushmen say tommorrow happened yesterday, and today is always with us..
will be opening at the end of february. i will be releasing the
soundtrack to the dance piece in the form of an album shortly. please
check the schedule page for show details.